Norah Jones: Come Away With Me Performed by Norah Jones. For voice, piano and guitar chords.
Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Pop Vocal and Jazz. 88 pages. 9x12 inches. Published by Hal Leonard. (HL.306495) See more info...
Norah Jones: Don't Know Why Performed by Norah Jones. For voice, piano and guitar chords.
Format: piano/vocal/chords single. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Pop Vocal. 8 pages. 9x12 inches. Published by Hal Leonard. (HL.352535) See more info...
Norah Jones: Feels Like Home Performed by Norah Jones. For voice, piano and guitar chords.
Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Pop vocal and jazz. 79 pages. 9x12 inches. Published by Hal Leonard. (HL.306614) See more info...
Norah Jones: Come Away With Me - Easy Piano Performed by Norah Jones. For voice, piano and
guitar chords. Format: easy piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Pop vocal and jazz. 80 pages. 9x12 inches. Published by Hal Leonard. (HL.306523) See more info...
Norah Jones -- Biography & Notes:
Birthday: 30 March 1979, New York City, New York, USA.
"The coolest thing I've gotten to do in the past few years is guest star on Sesame Street." -- Norah Jones.
Check out the "New York City" CD by the Peter Malick Group. It contains songs sung by Norah Jones just before she was noticed in the music world. If you're a Norah Jones
fan, you've got to get this CD.
Norah won 8 grammy awards in 2003, including Best New Artist (CNN.com article).
Norah won 3 grammy awards in 2005.
Related Artists:
Richard Julian opened for Norah Jones during her "Come Away with Me" concert tour in Canada (the concert at Massey Hall here in Toronto was terrific). Richard also co-wrote the songs "Those Sweet Words" and
"The Prettiest Thing" on her "Feels Like Home" CD. Check out Julian's "Good Life" CD; it's got some good lyrics. See: Richard
Julian website.
Amos Lee opened for Norah Jones during her "Feels Like Home" concert tour in 2004 in Canada (the concert was at the Molson Amphitheatre by the Toronto lakeshore). See:
Amos Lee website.
It wasn't until Fats Domino's New Orleans house was heavily damaged in Hurricane Katrina that many people realized the great R&B pioneer was still alive. Now 79 and fairly reclusive, Domino had a tremendous influence on '50s popular music, his infectious boogie-woogie and triplet-based piano style forming much of the DNA of rock, and influencing scores of artists from Elvis Presley to the Beatles and beyond. To show their appreciation, a plethora of luminaries from rock, jazz, R&B, country, folk, and blues have united for this two-disc, 30-track valentine to Domino, which features modern takes on his timeless music. "United" is a literal term here--while some performers appear solo (Elton John on "Blueberry Hill," Corinne Bailey Rae on the scorching live cut, "One Night (of Sin)"), many of the tracks offer unexpected gumbo-like "mixtures," i.e., Joss Stone teaming with Buddy Guy and the Dirty Dozen Brass Band on "Every Night about this Time." Occasionally, things stray remarkably far from Domino's blueprint (jazz great Herbie Hancock churns it up with George Porter, Jr., Zigaboo Modeliste, and Renard Poche on "I'm Gonna be a Wheel Someday"), while Paul McCartney goes the other route, offering a too-worshipful vocal impersonation ("I Want to Walk You Home"), with fellow legend Allen Toussaint on piano. Still, fine performances abound, especially Neil Young's "Walking to New Orleans," which seethes with political anger, Lucinda Williams' roots-romance of "Honey Chile," and Robbie Robertson and Galactic's visionary "Going to the River." Almost secondarily, the collection serves as an eye-opening look at the thematic span of Domino's recorded output, and, like his Greatest Hits: Walking to New Orleans, released in August 2007, it should bring renewed awareness of his legacy. The iconic musician suffered more than damage to his house in Katrina--looters stole many of his possessions, including his '50s gold records. Here's hoping Goin' Home… will yield a replacement. --Alanna Nash