International movie star, fashion icon, and music royalty (daughter of French pop icon Serge Gainsbourg) makes her US debut. Already platinum in France with worldwide sales of over 500,000. The US CD release includes two previously unavailable bonus tracks, two music videos, and a video interview with Charlotte. Music by Air, lyrics by Jarvis Cocker and The Divine Comedy's Neil Hannon, and produced by Nigel Godrich (Radiohead, Beck).Even without Charlotte Gainsbourg's musical heritage, the prospect of an album written and performed by Air, with lyrics by Jarvis Cocker (ex-Pulp) and Neil Hannon (The Divine Comedy) would be enough to entice most sensible music fans. But as a combination, 5.55 is far better than probably even the participants imagined it would be.
The combination of Air's trademark glide complements Gainsbourg's voice (which is less singing and more melodic, breathy recitation), to the point where, had the lyrical input been less than stellar, this could easily have sent the listener to sleep. Instead, the emotional detachment in Gainsbourg's delivery acts as a foil to the passion presented in the lyrics. For their part, Cocker and Hannon excel with their trademark darkly humourous input- the passenger on a doomed flight in "AF407105", the surgery/seduction metaphor in "The Operation", or the venomous "Jamais" being particular standouts.Even though 5.55 bears all the hallmarks of its creators (if so inclined, one could see this as a new Air album, or imagine Cocker or Hannon singing the lyrics), it's even more than the sum of its parts and is almost certainly one of the best albums you'll hear in 2006 or beyond. --Thom Allott
This collaboration has produced a perfect result, wherein all involved have raised the finished work to spectacular heights. Interspersing her recordings into her acting career, Charlotte Gainsbourg has come out with her second full-length release. The music was written and performed by Air, with lyrics by Jarvis Cocker and Neil Hannon. All 13 tracks (two more than on the European release which appeared in 2006) are finely wrought in every regard, with the arrangements and production moving liquid-like across the set, making for a gorgeously seductive whole. Though significantly different-sounding, Gainsbourg shares with her father Serge an approach to singing that uses speaking tones and timbres. Her whispered voice adds a powerful intimacy to the songs, while Air's musical structures create landscapes and cityscapes through which she wanders, purposefully, suffused with mystery and secrets. The melodies, built for her voice, move with ethereal precision. Gainsbourg's human-scaled singing and Air's unassumingly grand settings create an emotional tension throughout. The album offers atmospheric reveries, pop smarts, and sly invention. --David Greenberger
