Born: Eleanora Fagan Gough, on 7-April-1915, in Baltimore, Maryland, USA. Father: Clarence Holiday (jazz guitarist and banjo player). Mother: Sadie Fagan. Died: New York at the age of 44.
Stage name: Billie Holiday, after Billie Dove, an early movie star.
Nickname: "Lady Day"
Even with no formal musical training, Billie Holiday made her professional singing debut in Harlem nightclubs in 1931. She made her commercial debut on November 27, 1933 with "Your Mother's Son-In-Law."
Her 1939 version of "Strange Fruit," a song about lynching, was described as the most haunting and sad "expression of protest against man's inhumanity to man that has ever been made in the form of vocal jazz."
"You can't copy anybody and end with anything. If you copy, it means you're working without any real feeling. No two people on earth are alike, and it's got to be that way in music or it isn't music." -- Billie
Holiday.
Hot on the heels of Nina Simone's like-minded project, this 14-track disk takes Billie Holiday's masterful and mourning vocals of 1935 to 1958 to the 21st-century digital dance floor, courtesy of some resourceful remixers and DJs from Swingsett & Takuya and Nickodemus & Zeb to Organica and Poppyseed. You have to give these aural alchemists credit for their daring, but some tracks work better than others. The best include "Spreadin’ Rhythm Around," featuring Digable Planet's Ladybug Mecca, the echoplexed embers of GXR's "Long Gone Blues," DJ Logic's string-centric "Glad to be Unhappy," and Daniel Y's infectious, Soul to Soul/Loose Ends grooved "Billie's Blues." With augmentation provided by live guitarists, keyboardists, and percussionists, these scientists of sound don't desecrate the gardenia-wearing goddess's eternal artistry; rather, they globally reposition it for this era's electronica-fueled iPod generation, from the downbeat to the download. --Eugene Holley, Jr.
