Battlestar Galactica: Season Two



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Music CD's / Music / Battlestar Galactica: Season Two

Battlestar Galactica: Season Two

 

Battlestar Galactica: Season Two

Battlestar Galactica: Season Two

Released: 2006-06-20


Posters / Framed CD's:


Tracks:

  1. Colonial Anthem (Theme from Battlestar Galactica) (4:02)
  2. Baltar's Dream (2:45)
  3. Escape from the Farm (3:09)
  4. A Promise to Return (3:03)
  5. Allegro (4:59)
  6. Martial Law (1:51)
  7. Standing in the Mud (1:45)
  8. Pegasus (2:46)
  9. Lords of Kobol (2:50)
  10. Something Dark is Coming (8:51)
  11. Scar (2:26)
  12. Epiphanies (2:43)
  13. Roslin and Adama (2:49)
  14. Gina Escapes (2:00)
  15. Dark Unions (2:53)
  16. The Cylon Prisoner (3:51)


Review:

Acclaimed composer Bear McCreary builds on his impressive Season One accomplishments with this new original soundtrack from the second season of the Sci-Fi Channel's critically praised, top-rated television series starring Edward James Olmos, Mary McDonnell, James Callis, Tricia Helfer and Katee Sackhoff. Once again, composer McCreary delivers a sensational, emotionally rich score that ingeniously melds orchestra, vocals, percussion and synthesizer in a variety of exciting motifs. Simply put, it's an amazing compilation that trancends the genre and brings sci-fi television music to new heights! Former Oingo-Boingo member Steve Bartek plays featured guitar on "Black Market". CD Booklet contains exclusive liner notes from McCreary and executive producer Ronald D. Moore.

In its own way, this soundtrack to the cult SciFi Channel series embodies all the trends of film and, to a certain extent, TV-scoring circa 2006. Alien universes and mysterious plots are suggested by exotic instruments like gamelans and taikos; an otherwordly woman comes in at regular intervals to vocalize esoterically ("Lords of Kobol"); and thundering percussions suggest action ("Scar"). It's as if cult band Dead Can Dance were on the required listening list for American screen composers ("Gina Escapes"). Composer Bear McCreary pulls off the mix better than some of his contemporaries because, this being TV, he probably doesn't have the budget of a big Hollywood composer and so he can't rely on a ginormous orchestra to do the work for him (i.e., he can't just pile on dozens of violins to suggest mood). Look for ex-Oingo Boingo member Steve Bartek (who's orchestrated many of Danny Hellman's finest scores) on guest guitar on the final track, "Black Market." --Elisabeth Vincentelli


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