Wagner: Der fliegende Holländer



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Music CD's / Music / Wagner: Der fliegende Holländer

Wagner: Der fliegende Holländer

 

Wagner: Der fliegende Hollander

Wagner: Der fliegende Holländer

Released: 2000-08-15


Posters / Framed CD's:


Tracks:

  1. Overture
  2. Act 1, scene 1: "Hojohe! Hallojo!"
  3. Act 1, scene 1: "Mit Gewitter und Sturm aus fernem Meer"
  4. Act 1, scene 2: "Die Frist ist um"
  5. Act 1, scene 2: "Wie oft in Meeres tiefsten Schlund"
  6. Act 1, scene 2: "Dich frage ich, gepries'ner Engel Gottes"
  7. Act 1, scene 2: "Nur eine Hoffnung soll mir bleiben"
  8. Act 1, scene 3: "He! Holla! Steuermann!"
  9. Act 1, scene 3: "Weit komm' ich her"
  10. Act 1, scene 3: "Durch Sturm und bösen Wind verschlagen"
  11. Act 1, scene 3: "Wie wunderbar! Soll deinem Wort ich glauben?"
  12. Act 1, scene 3: "Was muß ich hören?... Hast du eine Tochter?"
  13. Act 1, scene 3: "Wohl, Fremdling, hab' ich eine schöne Tochter"
  14. Act 1, scene 3: "Wenn aus der Qualen Schreckgewalten"
  15. Act 1, scene 3: "Südwind! Südwind!"
  16. Act 1, scene 3: "Mit Gewitter und Sturm aus fernem Meer"


Review:

Recorded evidence preserves a regretfully skewed view of Otto Klemperer's Wagner. Happily, this 1968 recording of Der fliegende Holländer captures the aged Otto Klemperer at his inspired and disciplined best. The vivid detail and expressive intensity of the orchestra playing begs description, and Suvi Raj Grubb's resplendent production sounds as fresh as today's best digital engineering, especially in EMI's 20-bit remastering. Anja Silja's Senta is arguably her most absorbing major Wagnerian portrayal on disc, in terms of both singing and acting. Likewise, Theo Adam, in excellent form, inflects the title role with unusual care for words. Ernst Kozub is as brash and brazen an Erik as they come (which is good!), and Martti Talvela's weighty yet flexible Daland hardly has been bettered, past or present. Yet the individual contributions yield to the remarkable sense of ensemble give and take--not just between the singers themselves, but in the way the orchestra leads, supports, and comments upon the sung text. Full texts and translations plus excellent annotations clinch this set's essential status as both the basic Flying Dutchman on disc and Otto Klemperer's finest recording of an opera. --Jed Distler


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