The Commodore Master Takes



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Music CD's / Music / The Commodore Master Takes

The Commodore Master Takes

 

The Commodore Master Takes

The Commodore Master Takes
by: Billie Holiday

Released: 2000-02-08


Billie Holiday -- Biography & Notes:

Billie Holiday (AP)
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  • Born: Eleanora Fagan Gough, on 7-April-1915, in Baltimore, Maryland, USA. Father: Clarence Holiday (jazz guitarist and banjo player). Mother: Sadie Fagan. Died: New York at the age of 44.

  • Stage name: Billie Holiday, after Billie Dove, an early movie star.

  • Nickname: "Lady Day"

  • Even with no formal musical training, Billie Holiday made her professional singing debut in Harlem nightclubs in 1931. She made her commercial debut on November 27, 1933 with "Your Mother's Son-In-Law."

  • She worked with many jazz greats including Count Basie and Benny Goodman

  • Her 1939 version of "Strange Fruit," a song about lynching, was described as the most haunting and sad "expression of protest against man's inhumanity to man that has ever been made in the form of vocal jazz."

  • "You can't copy anybody and end with anything. If you copy, it means you're working without any real feeling. No two people on earth are alike, and it's got to be that way in music or it isn't music." -- Billie Holiday.

  • Billie Holiday official website

  • Billie Holiday sheet music

  • Billie Holiday posters

  • Billie Holiday biography (mp3.com)


Billie Holiday -- David's Comments:

The Best of Billie Holiday

 

"The Best of Billie Holiday" by Billie Holiday, a Vocal Jazz singer. Since Billie was one of the early Jazz singers, I've always wanted one of her CD's. This CD is a good compilation of her works.


Posters / Framed CD's:


Tracks:

  1. Strange Fruit
  2. Yesterdays
  3. Fine And Mellow
  4. I Gotta Right To Sing The Blues
  5. How Am I To Know?
  6. My Old Flame
  7. I'll Get By
  8. I Cover The Waterfront
  9. I'll Be Seeing You
  10. I'm Yours
  11. Embraceable You
  12. As Time Goes By
  13. He's Funny That Way
  14. Lover, Come Back To Me
  15. Billie's Blues
  16. On The Sunny Side Of The Street


Review:

These historic recordings--made mostly in 1939--represent a crucial period for Billie Holiday, who had already achieved some success as a jazz singer recording for Columbia but had yet to really reach her peak as a performer or icon. The Commodore Master Takes, recorded for Milt Gabler's small independent label, were a step towards Holiday's eventual infamy, thanks notably to the recording of "Strange Fruit," a controversial song about lynching that Columbia Records simply refused. Recording with several small bands that seemed to understand the nuances of her voice perfectly, Holiday is in full command of her faculties here, without a trace of her later deterioration. Instead, we have a singer bearing all the bittersweet conviction of the best blues stylists. Songs like "How Am I to Know?" and "My Old Flame" simply smolder, and the band's support is understated, not overpowering. Holiday is the show here. In its own way, that sets a precedent, considering this was still the big-band era, and a jazz singer with such sparse backing was still an anomaly. Excellent liner notes by Orrin Keepnews--who explains how his own relationship with Billie Holiday was sometimes rocky--complete the picture. --Joe S. Harrington


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