Born: Eleanora Fagan Gough, on 7-April-1915, in Baltimore, Maryland, USA. Father: Clarence Holiday (jazz guitarist and banjo player). Mother: Sadie Fagan. Died: New York at the age of 44.
Stage name: Billie Holiday, after Billie Dove, an early movie star.
Nickname: "Lady Day"
Even with no formal musical training, Billie Holiday made her professional singing debut in Harlem nightclubs in 1931. She made her commercial debut on November 27, 1933 with "Your Mother's Son-In-Law."
Her 1939 version of "Strange Fruit," a song about lynching, was described as the most haunting and sad "expression of protest against man's inhumanity to man that has ever been made in the form of vocal jazz."
"You can't copy anybody and end with anything. If you copy, it means you're working without any real feeling. No two people on earth are alike, and it's got to be that way in music or it isn't music." -- Billie
Holiday.
Curiously, yet not surprisingly given the enormity of his sway, Billie Holiday's greatest vocal influence was "Pops"--Louis Armstrong, whose trumpet was his first signature (though he's often credited with being the first great jazz singer as well). One hears Armstrong in Holiday's sense of phrasing, timing, and the warmth she invests in a lyric. This package, containing such touchstone Holiday renderings as "I Cried for You," "Body and Soul," and "When a Woman Loves a Man" (poetic, given the fact that Billie was notoriously unlucky at love), also boasts her signature song, "God Bless the Child." Her accompanists are a hall-of-fame lot, including trumpeters Roy Eldridge and Buck Clayton; saxmen Lester Young (with whom she had a close relationship), Ben Webster, Johnny Hodges, and Harry Carney; drummers Cozy Cole and Jo Jones; bassists John Kirby and Walter Page; and her frequent pianist, Teddy Wilson. --Willard Jenkins
