Beethoven for Babies

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Beethoven for Babies

 

Beethoven for Babies

Beethoven for Babies

Released: 1998-08-11


Posters / Framed CD's:


Tracks:

  1. Six National Airs With Variations, Op. 105: The Cottage Maid (Welsh)
  2. Six National Airs With Variations, Op. 105: The Last Rose Of Summer (Irish)
  3. Six National Airs With Variations, Op. 105: Chiling O'Guirg (Irish)
  4. Six National Airs With Variations, Op. 105: English Bulls (Irish)
  5. Ten National Airs With Variations, Op. 107: St. Patrick's Day (Irish)
  6. Ten National Airs With Variations, Op. 107: O Mary, At The Window Be (Scottish)
  7. Ten National Airs With Variations, Op. 107: Oh, Thou Are The Lad Of My Heart (Scottish)
  8. Ten National Airs With Variations, Op. 107: Fur Elise
  9. Ten National Airs With Variations, Op. 107: Piano Sonata No. 8 In C Minor ('Pathetique') - Adagio cantabile
  10. Ten National Airs With Variations, Op. 107: String Quartet No. 13 In B-Flat - Alla Danza Tedesca. Allegro assai
  11. Ten National Airs With Variations, Op. 107: Piano Sonata No. 7 In D - Menuetto (Allegro)
  12. Ten National Airs With Variations, Op. 107: The Creatures Of Prometheus - Finale. Allegretto
  13. Ten National Airs With Variations, Op. 107: Piano Sonata No. 18 In E-Flat - Menuetto (Moderato e grazioso)
  14. Ten National Airs With Variations, Op. 107: Piano Sonata No. 20 In G - Tempo di menuetto
  15. Ten National Airs With Variations, Op. 107: Symphony No. 8 In F - Allegro scherzando
  16. Ten National Airs With Variations, Op. 107: Symphony No. 9 In D Minor ('Choral') - Ode To Joy


Review:

For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of "Pathétique" is followed by Claudio Arrau's take on the 7th, 15th, and 18th sonatas and Sviatoslav Richter's lyrical take on the 20th ("Pastoral"). Programmed amidst the piano pieces, which are great studies in dynamics and musical spacing, are some fine orchestral snippets, none longer than five minutes. The collection does a fine balancing act, condensing works that don't inherently lend themselves to shortened renditions and carefully managing moods, entry, and egress to each segment. This is fine anthology work. --Andrew Bartlett


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