The Ultimate Aria Collection ~ A Passion for Opera



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Music CD's / Music / The Ultimate Aria Collection ~ A Passion for Opera

The Ultimate Aria Collection ~ A Passion for Opera

 

The Ultimate Aria Collection ~ A Passion for Opera

The Ultimate Aria Collection ~ A Passion for Opera
by: Georges Bizet, Giuseppe Verdi, Giacomo Puccini, Gaetano Donizetti, Ruggero Leoncavallo, Gioachino Rossini, Gustave Charpentier, Leo Delibes, Vincenzo Bellini, Christoph Willibald Gluck, Pietro Mascagni, Wolfgang Amadeus Mozart, Francesco Cilea, Edouard Lalo, Camille Saint-Saens, Arrigo Boito, George Frideric Handel, Alfredo Catalani, Amilcare Ponchielli, Charles Gounod, Jules Massenet, Ambroise Thomas, Fritz Wunderlich, Rome Opera Theater Orchestra & Chorus, Maria Callas, Elisabeth Schwarzkopf, Orchestra e Coro del Teatro alla Scala, Wiener Philharmoniker, Orchestre de Paris, Carlo Maria Giulini, Tullio Serafin, Sir Charles Mackerras, Francesco Molinari-Pradelli, Riccardo Muti, Leone Magiera

Released: 1998-08-11


Posters / Framed CD's:


Tracks:

  1. "Quand je vous aimerai?. . . L'amour"
  2. "Recitar!. . . Vesti la giubba"
  3. Un bel di vedremo
  4. Una furtiva lagrima
  5. Va Pensiero (Chorus of the Hebrew Slaves)
  6. O mio babbino caro
  7. La donna e mobile
  8. Largo al factotum
  9. Depuis le jour
  10. Flower duet
  11. Nessun Dorma
  12. Casta diva
  13. Avete Torto!
  14. Vissi d'arte
  15. E lucevan le stelle
  16. Chi il bel sogno di Doretta


Review:

Put together in evident haste, this collection is nevertheless a surefire, appetite-whetting starter kit both for the budding operaphile and for the simply intimidated. The samplings include some of the greatest voices from EMI's vaults: here you'll find the polar opposites Callas and Caballe, the golden wonder of Wunderlich and early Carreras, and a host of other singers who've made their stamp on this century. Emphasis is on the soprano and tenor range, while the lower voices are given short shrift, and the selections cleave predictably to standard Italian and French repertory (with an occasional surprise, such as an aria from Lalo's Le Roi d'Ys). Still, the nearly three and a half hours of music represented will make a ready convert of anyone who hasn't experienced the specially heightened, time-stopping expressivity--beyond the power of mere song--that is the aria's function and will likely spark a desire to explore the larger operatic context in several cases. And though the lack of a booklet with texts or at least bios of the artists is frustrating, this is a good place to begin for an overview of the mesmeric power extraordinary voices can wield. --Thomas May


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